Movies that can be seen on April 10

On April 10, 2026, several films hit the theaters that can be seen with uneven interest, but all with something to comment on: Uncontrollable, Mirrors No. 3, The good daughter, Good luck, have a good time, don't die, Salvation Project y To an island of you. Between social drama, satirical comedy, science fiction and romantic comedy, the billboard offers very different titles for different audiences.

INCONTROLABLE (I SWEAR) (Kirk Jones, 2025)

I find this reconstruction of the story of a young Scot affected by Tourette syndrome to be absolutely honest and with notable educational value. Their struggle and the support they find from a nurse specialized in mental health lead them to make known this neurological disorder that is sometimes confused with voluntary aggressive behavior. The film looks very good and, as usually happens in cases “based on real events”, it limits itself to illustrating the patient's story with great skill, without the usual dramatization. It also invites us to reflect on our ways of treating people with ailments about which we know nothing. Advisable.

In the format of a short story or novel, I find this piece very interesting with a somewhat distraught young woman who suffers a car accident in which her boyfriend dies. She is assisted by a mature woman who accepts her into her home and protects her, when the young woman expresses her desire to stay. Days later, she will meet her protector's husband and son. The title suggests that any of our lives can have a correlation in other people's lives, but what I found most interesting is the emotional fragility of the two women and their imaginative way of compensating for the pain. It's a small movie, but not at all trivial.

THE GOOD DAUGHTER (Júlia de Paz Solvas, 2025)

The second feature film by this Barcelona director reveals sensitivity and style, but clearly lacks the maturity to delve deeper into the theme that gave rise to the script, already explored by the filmmaker in a short film. It was about seeing the uncertainties and disappointments of a teenager—which are added to those inherent to her age—when her parents have a conflictive divorce and the daughter can only see her father with supervised visits in a public center. This situation is well reflected, but the script uses omissions to add intrigue to a future that never surprises or provides substantial reflections.

GOOD LUCK, HAVE A GOOD TIME, DON'T DIE (Gore Verbinski, 2025)

The director of the adventures of “Pirates of the Caribbean” and other imaginative products embarks on a sarcastic comedy about the apocalypse that technology and social networks are leading us to with young people abducted by their cell phones, ready to photograph everything. Remarkable production design, a lot of humor and scathing criticism of the virtual prison where the networks imprison us are the positive aspects of an unbalanced and elongated film that only captivated me at times. But there will be viewers who enjoy it. Help yourselves (and watch out for the monster cat).

The same novelist of The Martianplayed with such conviction by Matt Damon, repeats here a similar story with a cosmonaut isolated in his spaceship light years from Earth. This futuristic story seeks entertainment, with its dose of adventure and intrigue, and touches of humor thanks to the character of the alien, a friendly stone arthropod. But the film becomes very long (two and a half hours) and at many times redundant, which makes it less interesting.

TO AN ISLAND OF YOU (Alexis Morante, 2026)

At times it seems like a long advertisement for the Canary Islands Tourist Board, at other times a modern comedy of hookup and love that stands out for its homosexual characters. The actors are very weak and the script is for beginners with the result that I endured half of the footage with no small effort.