The cinemas billboard is renewed with a varied selection of proposals: Maspalomas explore the courage and personal self -definition; One battle after another It presents a satirical and raw portrait about violence and social paradoxes on the American border; Adorable It is immersed in the complex universe of couple relationships from the Scandinavian look; and Münter and Kandinsky's love He claims the figure of the painter Gabriele Münter, on a visual and emotional trip for art and love.
Maspalomas (Aitor Arregi y JosƩ Mari Goenaga, 2025)
Vicente (JosĆ© Ramón Soroiz in the role of his life, deserved award last week in San SebastiĆ”n), a homosexual entered years that has spent half a century without leaving the closet and 25 in a relationship hidden to his family, focuses a story that goes far beyond the recurring stories of claim LGTBIQ+. There is a very recognizable figure in this gay septuagenarian that suffers a stroke, returns to the Basque Country from the Dunes of the South Grancanario where he has been very free in recent years, and imposes on himself ānormalizeā the situation with his daughter – Magore Nagore Aranburu that will star in āLoreakā and that he achieves the mastery in the recommended series āWantā Get known and respected for sexual orientation in the residence where he recovers from his illness. A mature and esteemed work.
One battle after another (Paul Thomas Anderson, 2025)

He has his work “to enter” a story that uses irony and humor to deal with serious issues, such as the violent response of a group of guerrillas in front of the American migration policy, although it is oxygenating to show the clumsiness of those guerrillas who go anywhere exploding electricity towers. But the film draws an accurate cartoon with the white supremacists, the thug military that Encan Sean Penn and the networks of help to emigrants; The great actors help us create this fable with fiction chronicle value. Anderson has made a somewhat crazy, Tarantinian film, which looks very good even if it is not up to its best cinema.
Adorable (Lilja Ingolfsdottir, 2024)

I hope I have not understood this movie badly. As if a Bergman ethamula abounded in new “secrets of a marriage” the Norwegian filmmaker who writes and directs this story seems determined to show the strong ambiguities and contradictions in which couple relations are submerged. The protagonist, divorced with children, undertakes a second relationship that makes crisis when she claims her husband greater presence in the house, but in that demand – which does not always seem reasonable – is the germ of the break. He told me something like we destroy what we love.
Münter and Kandinsky's love (Marcus Rosenmüller, 2024)

The center of history is not the famous Moscow painter, but the least known Berlin artist Gabriele Münter. The stormy relationship that both for some years had, while Kandinsky was still married and was absent for time; The activity of the group “The Blue Rider” in which the two participated is also recreated. Gabriele's struggle is clear to achieve respect for women artists and for a love that was elusive. There are several interesting moments of reflection on the art (of rupture) of that group. Maybe a little rhythm is missing, but it looks good and gratifies photography and locations.
October 3 billboard
Source: https://cineenserio.com/pelis-que-ver-el-3-de-octubre-de-2025/
