Pelis that are seen on April 30, 2025

Discover the premieres of April 30, 2025: Souleymane's storya social drama about immigration in Paris; The good lyricsthe emotional adaptation of Celia Rico Clavellino on the Spanish postwar period; September saysthe disturbing debut of Ariane Labed; and Everything I don't knowAna Lambarri's spring opera on the frustrations of a thirties.

Souleymane's story (Boris Lojkine, 2024)

Centered on the figure of a sub -Saharan emigrant in Paris, a survivor of not a few contemptions and deceptions, insecure about his future, good person and educated in relations with others, The spectator cannot less to empathize and until he feels tenderness for this twenty -five -year -old man. Especially when he is forced to lie and make theater to give him the statute of refugee and can continue working in the country. Great paradox: the poor are expelled, but not the political exiles do not … it is a small but very convincing film, without didactic emphasis or speeches to convince: the eloquence of reality is enough. I liked it.

The good lyrics (Celia Rico Clavellino, 2025)

The director Celia Rico shows her solid style and good doing in this third fiction, in which she traces A Spanish postwar family chronicle to account for moral climate and material poverty. Good interpreters and rhythm for a film that does not emerge from a certain minor tone (austere production, photo needed with packaging) but that manages very well what was not said and suggested, particularly the common place of married woman (La Pata Quebrada and at home) and the lack of hope of a frightened generation. Chirbes's novel is a first person story, with richer allusions and digressions, but the essentials I think is in this recommended film.

September says (Ariane Labed, 2024)

Curious and unsettling history of Two teenage sisters, September and July, with antisocial behaviors in school, who live with a bohemian and distant mother and do not know their father. The major, September, exercises a total domination on the other and, often, cultivates aggressiveness. First film by the Greek actress Labed whose tone reminds her husband's cinema, Yorgos Lanthimos: everything seems like a fable about the fragility of adolescence – with the horrible possibility of perverse manipulation – and drives of that stage as the rejection of all authority and the discovery of sex. I was not interested.

Everything I don't know (Hondarri, 2025)

Ana Lambarri, the scriptwriter and director of this feature film, tells a story where many frustrations of the thirties in our country reflects: qualified young people under jobs below their preparation, with difficult access to housing and a personal and family life in permanent mutation and conflict. Susana Abaitua is very convincing in this small and convincing work, although almost two hours are excessive and the script needed another round.